This article is from the October 1980 issue of Film Review. It is part of a two-page feature on new films about young women in music; the preceding page focuses on Hazel O’Connor in Breaking Glass (dir. Brian Gibson, 1980).
As with most contemporary reviews, the article posits Time Square as a film in which the desire to become a rock star propels the narrative and drives the protagonists. I find this really interesting, because to me, this is an almost incidental aspect of the film. (Unless “become a rock star” is dyke code for “get a hot girlfriend”; it’s possible, because I was and remain out of the loop. Nevertheless…)
Otherwise, the article focuses on the film as debut for the “witty and talented” Robin Johnson, a “pretty girl displaying a keen sense of humour.” Until reading this article I didn’t know that to prepare for the role of Nicky Marotta, Johnson had “voice lessons, singing tutorial and dance and movement classes.” Also that she had never eaten flowers before.